Tuesday 31 January 2012

[X989.Ebook] PDF Download Learn Pixi.js, by Rex van der Spuy

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Learn Pixi.js, by Rex van der Spuy

Create and display interactive graphics, build scenes and animated transitions, make cross-platform, responsive games and applications for multiple screen resolutions, and use Pixi.js’s spectacular WebGL rendering effects. Learn how to create applications for desktop and touch-screen devices, and how to use the best open-source plugins to extend Pixi.js’s capabilities in a myriad of exciting ways.�

If you've ever wondered what you need to know to start making games, or what technology you need to build high-performance mobile apps, this book will show you the way. Learn Pixi.js is your one-stop shop for everything you need to know to quickly start making spectacular cross-platform interactive games and animations.

  • Take a step-by-step tour of Pixi.js's features by building fun game projects.
  • Learn how to use Pixi.js to make richly interactive graphics and all kind of cross-platform applications.

Learn Pixi.js is a fun and practical brief introduction to using the powerful Pixi.js graphics-rendering engine for making websites, games and mobile apps.

  • Sales Rank: #1676927 in Books
  • Published on: 2015-10-14
  • Released on: 2015-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .55" w x 6.10" l, .75 pounds
  • Binding: Paperback
  • 210 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
PIXI.JS Book with great Examples and Explanations
By VitoshAcademy
I am a blogger, writing articles for various programming languages, that I find interesting. I was provided with a paper version of the book from Apress, after a request from my site.

So, let the review begin :)
Pixi.JS is a rather small IT book of 200 pages, which you may read quite quickly, if you do not make the examples from the test code. However, this is an IT book, thus you should try to do the examples and even make them broader, if possible. So let's start.
What is the book about? It learns you to use the Pixi.js graphic rendering engine by example. It assumes some pre-knowledge on JS, as far as the js basics are not explained in the book, but this is also not what the book is all about. It is all about making nice things with Pixi.js, and for the author the nice things are games. As he mentions, if you can make games with PIXI.js, you can probably do anything with it (which is probably true for any programming language, by the way).
So, the book is really about the games. In 7 chapters, you learn how to use Pixi and some other libraries to make sprites, move and animate them, make shapes and make games. Which is pretty useful and enough to get a working game like this (the game is presented in chapter 7 of the book, see the second screenshot after the review).
I would like to pay special attention to the introduction, which is really well-written (I enjoyed it) and where you learn how to set the PIXI environment. In the next chapters, the author uses simple language to explain the ideas behind PIXI. Furthermore, the provided code is full of useful comments, which help you grasp his ideas. Last but not least, the whole code is freely available online at the site of Apress.Com, so you can take a look at it and decide yourself on whether to buy the book or not. Just one note - if you download the code, do not open it with Chrome, but with Firefox. Due to some reasons, Chrome did not want to run on my PC (probably because of some security levels or simply because I did not have a server installed).
I personally went deeper into PIXI and I have developed a small game with hitting boxes, with some libraries and ideas from the book. The game definitely can become better, but I enjoyed doing it and this is what matters at the end of the day! (check the first screenshot after the review).
The verdict:
If you are looking for a PIXI book, written in a great & easy language with examples - that's a good match! Enjoy it! :D

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Friday 27 January 2012

[V251.Ebook] Get Free Ebook The Cockatiel Handbook (Barron's Pet Handbooks) Paperback - February 1, 2010From barron's educational series; ill edition (february 1, 2

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Will be shipped from US. Brand new copy.

  • Published on: 1605
  • Binding: Paperback

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Wednesday 25 January 2012

[E348.Ebook] Download Sharpe's Devil: Richard Sharpe & the Emperor, 1820-1821 (Richard Sharpe's Adventure Series #21), by Bernard Cornwell

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Be prepared for scenes of great action & heroics

"Then why go to an enemy harbor?" asked Sharpe.
"To capture it, of course, why else?" Cochrane looked at Sharpe as though the Rifleman was mad. "We've got a ship, we've got men, we've got weapons, so what the hell else should we be doing?"
"But the ship is sinking."
"Then the bloody ship might as well do something useful before it vanishes."
Sharpe had met Spain's devil, and his name was Cochrane.

Richard Sharpe

Soldier, hero, rogue—the man you always want on your side. Born in poverty, he joined the army to escape jail and climbed the ranks by sheer brutal courage. He knows no other family than the regiment of the 95th Rifles, whose green jacket he proudly wears.

  • Sales Rank: #101641 in Books
  • Color: Blue
  • Published on: 2013-03-19
  • Released on: 2013-03-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .76" w x 5.31" l, .56 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
Fans of the 10 previous Sharpe novels will be delighted to have the up-from-the-ranks ex-colonel back. Five years after Waterloo ( Sharpe's Revenge ), Sharpe, living quietly en famille in Normandy, is asked by Dona Louisa Vivar to find her husband, last seen as a Spanish captain-general in rebellious Chile. En route to South America, Sharpe can't resist stopping at St. Helena to meet Napoleon, who charms Sharpe and his ex-sergeant, Patrick Harper, then asks them to carry a gift to an English settler in Chile. When they arrive, they are told Vivar is dead, and the corrupt man serving in his place accuses them of trying to pass a message from Napoleon to Chilean insurgents. Sharpe and Harper are shipped out on a Spanish frigate, which is captured by rebels led by the eponymous devil, Scottish Lord Cochrane, formerly of the Royal Navy, still the legendary scourge of the Spanish fleet. The ebullient, daring Cochrane sweeps Sharpe along in a series of breathtaking adventures on land and sea that ends with a smashing, against-the-odds rebel victory and the solution to Vivar's disappearance. Readers will be dazzled by the rollicking plot, period color and the atavistic thrill of terrific battle scenes right out of a Turner painting.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
In the 11th Richard Sharpe novel, our intrepid hero finds himself in the Spanish colony of Chile during its fight for independence in 1820-21. Hired by the wife of a Spanish nobleman to locate her kidnapped husband, the captain-general of Chile, Sharpe and friend Patrick Harper sail halfway around the world on a mission complicated by political intrigue and corruption. Series fans will find the usual strong characterization and action sequences, but some scenes, particularly the storming of the forts protecting the harbor of Valdivia, seem undeveloped and lacking in Cornwell's customary detail. Public libraries should purchase according to demand.
- Harold N. Boyer, Marple P.L., Broomall, Pa.
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
The hero of Cornwell's Sharpe series (Sharpe's Revenge, etc.) reluctantly abandons his Norman hearth and home to search for an old friend gone missing in revolutionary Chile. En route to the new world, there's a stopover on St. Helena and a visit to Sharpe's old adversary, the imprisoned Bonaparte. The Napoleonic wars are over. The Corsican monster is safely imprisoned in the South Atlantic; Sharpe's unloved wife is safely settled back in England; and Lieutenant-Colonel Sharpe himself has happily settled into the role of gentleman-farmer, tending to the fields of his aristocratic French mistress, watching his illegitimate children frolic. The bucolic bliss ends, however, with the arrival of Louisa, Countess of Mouromorto, who has come from Spain to beg the retired British rifleman to sail to South America to search for her husband, Sharpe's old friend and comrade-in-arms Don Blas Vivar. The incorruptible Don Blas had gone to Chile to defend the rotten Spanish colonial government against upstart republicans, but he has not been seen or heard from in months. Since Louisa will pay handsomely for his services and since the chateau is in desperate need of repairs, Sharpe reluctantly accepts the commission, hires on his favorite old sergeant, Patrick Harper, and sails round the Horn. His reception is chilly. The colonial general, who should be helping Sharpe, makes nothing but trouble, and Sharpe eventually finds himself becoming more and more sympathetic to the rebels who fight under a disgraced Scottish nobleman. Cornwell, one of the great naval writers of this era, finds a way to get his intrepid army hero to sea for much of the story- -without in the least compromising the high standards of this first-rate series. -- Copyright �1992, Kirkus Associates, LP. All rights reserved.

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22 of 24 people found the following review helpful.
An interesting historical account
By Fred Camfield
The plot assumes that ships could land passengers at St. Helena in 1820 to interview Napoleon. Such was not the case. The British fired on any unauthorized ship attempting to approach the island including, in one case, a ship in distress. Other than that, it is an interesting tale.
This is the last novel, chronologically, in the Richard Sharpe series. Sharpe is separated from his wife and living in France with his latest mistress and their two children. His shortage of money indicates his wife in England has everything he stole in Spain. When the Countess of Mouromorto shows up to hire Sharpe to find her missing husband in Chile, his mistress is very receptive to the sight of the money (needed to improve her farm). Sharpe finds himself on his way to Chile with his old friend Patrick Harper, and makes the aforementioned stop at St. Helena to see Napoleon.
Sharpe and Harper become involved, unwillingly, in the civil war raging in Chile between the Spanish royalists and the rebels under O'Higgins (supported by Lord Cochrane). Sharpe's fortunes take some twists and turns, as does the plot. The involvement of Lord Cochrane in Chile is described fairly accurately, including the action at Valdivia. Sharpe, of course, gets his share of the spoils. One can hope that Sharpe will fare better with his latest mistress than he has with earlier women in his life. Having Sharpe acquire bags full of loot always creates the possibility of further action (after all, Lord Cochrane did invite him to go along, and we know from history that Lord Cochrane later served in Brazil and Greece).

12 of 12 people found the following review helpful.
Out of retirement for Mister Sharpe!
By Robert Douglas
It is 1821, six years after the Battle of Waterloo. Richard Sharpe, veteran of the French Wars, has made his home and family in Normandy. However, the sudden arrival of Blas Vivar's wife alerts this instinctive hero to trouble. It is up to Sharpe in locating General Blas Vivar and bring him back from revolutionary Chile. Seeking out a fattened Patrick Harper - formerly his Irish sergeant-major - the two friends make their way by ship to the distant shores of the New World. They stop off at St. Helena to pay their respects to an exiled emperor: once the Scourge of Europe, now a saddened, sickened old man, plagued by what his own greatness could have brought France. Despite his restrictions, and being a former enemy, Napoleon proves a charming, almost sympathetic host. Yet, from almost beginning to end, Sharpe is tricked into aiding a conspiracy that could drench all the Americas in blood and turmoil. I won't spoil it for you by elaborating. But I will mention that the last (chonologically!) Sharpe adventure proves most entertaining: with varied, believable characters, a strange land fully described, peopled by treacherous, corrupt, and deceitful officials who delight in toying with two foreigners on an honourable mission. The interesting aspect of this great plot is that Spain gradually becomes Sharpe's enemy. In particular, I loved the delicate interview with Napoleon; Bautista proved a most cowardly, cunning arch-villain, and the wild, courageous rebel Cochrane added extra spice to a gripping read. Sharpe is set on course for an insane pursuit to find the truth about Vivar - and escape the jaws of certain death!

14 of 15 people found the following review helpful.
Outstanding Post-Napoleonic Wars Adventure
By A. Ross
Six years after the end of the Napoleonic wars, ex-Rifleman Richard Sharpe toils on his French wife's farm in Normandy. Times are a little tough, so when the fabulously wealthy wife of a former Spanish comrade asks him to travel to Chile to find her missing husband, he can't refuse the gold that comes with the request. Naturally, Sharpe rounds up the now-rotund and prosperous tavern-keeper Patrick Harper before setting sail for South America. Their vessel is a Spanish one, ferrying a number of patronizing and foppish Spanish officers who are off to fight the Chilean rebels (who are led by the intriguing half-Spanish, half-Irish gentleman Bernardo O'Higgins). These Spaniards decide to take a minor detour to St. Helena to gawk at the imprisoned Napoleon, and of course Sharpe and Harper can't resist the chance to pay their own respects. The ex-emperor is by now rotting away in his dank mansion, with peeling wallpaper, a poor wine-cellar, and a large British garrison to keep him company. Treated like a curiosity in a zoo, he is disdainful of the Spaniards, but is intrigued by Sharpe and Harper, who are clearly fellow warriors. Cornwell has a lot of fun with this section, as the two old soldiers talk shop, honor each other, and Sharpe, with his customary naivite is unwittingly drawn into intrigue.

Eventually, the ship arrives in Chile, where Sharpe is told the man he is seeking, Captain-General Vivar, is actually dead. Of course, Sharpe is suspicious when a body can't be produced, and soon he and Harper have run afoul of the thoroughly evil Spanish Governor-General Bautista. Events entertainingly run their course, and soon the dynamic duo find themselves on the side of the rebels seeking to eject the Spaniards from Chile. They come under the wings of Admiral Cochrane, a Scottish Lord turned rebel seaman, and all around adventurer. Cochrane is a wildly daring and bold leader, a real life figure of such improbability that many readers will want to rush out and read one of the biographies about his exploits (The Audacious Admiral Cochrane by and The Sea Wolf by being two). Once in Cochrane's company, the action ratchets up until the climactic battle at Valdivia, where the ragtag rebel navy crushed the entrenched and more numerous Spanish defenders in an audacious action, heralding an end to Spanish rule. The rout also allows Sharpe to unravel the mystery of what befell Captain-General Vivar, and of course, exact retribution on the nasty Bautista.

This is indubitably a change of pace and setting from the regular Sharpe books, but a welcome one. As always, the military action is well described, there are evil villains, interesting supporting characters, and a heavy dose of vivid personages from history on hand. It's hard to imagine anyone making the nominally drab topic of Chilean independence come alive more vividly than Cornwell does here. There's a lot packed into this one, and Cornwell even manages to raise the specter of one of history's more interesting "what ifs" via an audacious plot. All in all, great fun.

PS. Anyone interested in St. Helena is advised to read Harry Ritchie's excellent travel book, The Last Pink Bits, which has a good section on how the island fares in modern times.

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Saturday 21 January 2012

[V308.Ebook] Free PDF Volcano Deformation: New Geodetic Monitoring Techniques (Springer Praxis Books), by Daniel Dzurisin

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Volcano Deformation: New Geodetic Monitoring Techniques (Springer Praxis Books), by Daniel Dzurisin

Volcanoes and eruptions are dramatic surface man� telemetry and processing, and volcano-deformation ifestations of dynamic processes within the Earth, source models over the past three decades. There has mostly but not exclusively localized along the been a virtual explosion of volcano-geodesy studies boundaries of Earth's relentlessly shifting tectonic and in the modeling and interpretation of ground� plates. Anyone who has witnessed volcanic activity deformation data. Nonetheless, other than selective, has to be impressed by the variety and complexity of brief summaries in journal articles and general visible eruptive phenomena. Equally complex, works on volcano-monitoring and hazards mitiga� however, if not even more so, are the geophysical, tion (e. g. , UNESCO, 1972; Agnew, 1986; Scarpa geochemical, and hydrothermal processes that occur and Tilling, 1996), a modern, comprehensive treat� underground - commonly undetectable by the ment of volcano geodesy and its applications was human senses - before, during, and after eruptions. non-existent, until now. Experience at volcanoes worldwide has shown that, In the mid-1990s, when Daniel Dzurisin (DZ to at volcanoes with adequate instrumental monitor� friends and colleagues) was serving as the Scientist� ing, nearly all eruptions are preceded and accom� in-Charge of the USGS Cascades Volcano Observa� panied by measurable changes in the physical and tory (CVO), I first learned of his dream to write a (or) chemical state of the volcanic system. While book on volcano geodesy.

  • Sales Rank: #1161223 in Books
  • Published on: 2006-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 7.75" w x 1.00" l, 3.02 pounds
  • Binding: Hardcover
  • 442 pages

Review

From the reviews:

"This monumental, first-of-a-kind, up-to-date book on volcano geodesy compiled by Dzurisin … fills an important gap in the rapidly expanding literature discussing the young science of Volcanology. … The outstanding list of references offers more than 400 citations; the extra material contains all the book’s figures plus an expanded version of analytical source models. … The chapter authors are eminently qualified, and their book is a marvelous contribution to the highly complex, important, and challenging profession of volcano monitoring. Summing Up: Highly recommended." (T. L. T. Grose, CHOICE, Vol. 44 (11), July, 2007)

From the Back Cover

Volcanic Deformation is the first book devoted to volcano geodesy, a specialisation of the still-young science of volcanology. It forms a part of the whole catalogue of methods used to monitor a restless or an erupting volcano, and demonstrates how risk from hazardous eruptions can be reduced.

With contributions from some of the most experienced and knowledgeable experts in the field, the book desbribes the state-of-the-art techniques used by volcanologists to successfully predict volcanic eruptions. With chapters on GPS and synthetic aperture radar interferometry, Volcanic Deformation covers both the "classical" and emerging methodologies, and looks at the future challenges faced by scientists when predicting volcanic eruptions.

Volcanic Deformation

  • is an up-to-date, comprehensive treatment of volcanic geodesy and its applications;
  • describes how volcanic geodesy complements other volcano monitoring approaches and tools;
  • gives an extensive treatment of the key lessons volcanologists have learned at well-monitored deforming volcanoes.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Brilliant review of modern volcano geodesy
By Nicolas Fournier
Excellent book for both Earth Sciences students and researchers. It offers a comprehensive review of geodetic techniques used in volcano monitoring, as well as a most useful chapter on volcano deformation modelling (with corresponding mathematical expression in the attached DVD). Dzurisin bridges the technical gap between conventional books on volcano monitoring and scientific journal articles on modelling. As such, it is a great support for teaching, for advanced students who want to specialize in volcano deformation, as well as for researchers willing to develop their skills in this field. Highly recommended.

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Friday 20 January 2012

[X551.Ebook] PDF Ebook Mountain Mist Quilt Favorites (For the Love of Quilting), by Oxmoor House

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Mountain Mist Quilt Favorites (For the Love of Quilting), by Oxmoor House

This is a wonderful book for beginners to learn the techniques of quilting. Patterns are precise, clear, and very descriptive. Great book for your reference library on traditional quilts.

  • Sales Rank: #916035 in Books
  • Published on: 1998-07
  • Original language: English
  • Number of items: 1
  • Dimensions: .37" h x 8.55" w x 10.91" l,
  • Binding: Paperback
  • 160 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of my favorites
By P. Cassidy
Excellent choice of the best of the 1930's patterns, great detail for intructions and color choices. Great book has something for every skill level to enjoy..

22 of 23 people found the following review helpful.
Beautiful quilt photographs & 28 easy Mountain Mist patterns
By A Customer
Oxmoor House Publishing has compiled a beautiful book, with gorgeous full color photographs and complete pattern instructions for 28 celebrated Mountain Mist designs. Travel through the 1930's and 40's, when life was simple and quilting was a national pastime. See part of the Mountain Mist Historical Quilt Collection and make these traditional designs using updated techniques for quicker, easier quilt making. Mountain Mist Quilt Favorites is a lovely, long awaited quilt book to add to your collection.
As an employee of Mountain Mist and as a quilt maker, it was a pleasure to work with Oxmoor House Publishing to create this book. With more than 150 quilts in our corporate collection, the question has been asked repeatedly when a color book would be available. Now it is! Mountain Mist is known for the beautiful applique floral designs. They devote half the book to applique and the other half are pieced quilt patterns. The quilt admirer will enjoy leafing through Mountain Mist Quilt Favorites. It offers designs for quilters of all levels of experience, from beginners to experienced.

6 of 6 people found the following review helpful.
Will Not Disappoint........
By CYNTHIA
I purchased this book a few months ago. I find myself looking through it often--not being able to choose which pattern I want to start with!! There is a nice selection of pieced and appliqued quilts in varying degrees of difficulty. It is well worth the price and a great addition to any quilter's library.

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[N699.Ebook] Ebook Download The Woodwright's Apprentice: Twenty Favorite Projects From The Woodwright's Shop, by Roy Underhill

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The Woodwright's Apprentice: Twenty Favorite Projects From The Woodwright's Shop, by Roy Underhill

For more than twenty years, Roy Underhill has taught the techniques of traditional woodcraft with muscle-powered tools. With his four previous books and his popular PBS series, The Woodwright's Shop, now in its sixteenth season, Roy has inspired millions to take up chisel and plane. The master woodwright returns here with instructions for handcrafting an appealing selection of projects from the American woodworking tradition.

The Woodwright's Apprentice begins with directions for building a workbench. Each successive project builds new skills for the apprentice woodworker--from frame construction to dovetailing, turning, steam-bending, and carving. Among the twenty items featured are an African chair, a telescoping music stand, a walking-stick chair, a fireplace bellows, and a revolving Windsor chair.

Designed both for woodworking novices and for more seasoned woodworkers looking for enjoyable projects, the book includes step-by-step directions, complete with easy-to-follow photographs and measured drawings, and an illustrated glossary of tools and terms. All of the pieces presented here are based on projects featured in past and upcoming seasons of The Woodwright's Shop television show.

  • Sales Rank: #796472 in Books
  • Brand: Underhill, Roy
  • Published on: 1996-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.58" h x .64" w x 7.96" l, 1.33 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

About the Author
Roy Underhill, former master housewright at Colonial Williamsburg, lives in Williamsburg, Virginia.

Most helpful customer reviews

24 of 25 people found the following review helpful.
A great book for fans of The Woodwright Shop
By Amazon Customer
This is a great book with many project ideas. It is not a book of measured drawings. If you've viewed "The Woodwright's Shop," you wouldn't expect to see them anyway. Each project highlights different techniques with hand tools. I've personally recreated the bellows from this book with much success (If I do say so myself!)
I still re-read the section on hand-cutting dovetails each time I attempt them.
All-in-all, it's a great book that demonstrates woodworking techniques while forcing you to improvise your projects around the basic themes presented in its pages.

12 of 13 people found the following review helpful.
Projects to Learn On
By Patrick S. Files
When you read Underhill you begin to understand the tradition of woodworking--the heritage of anyone whose ancestors had to hew out a shelter and live off the land (in other words, every one of us). The former master housewright for Colonial Williamsburg includes projects with instructions specific enough to get you started but vague enough to challenge you to inject individuality into your work. As a still-green intermediate woodworker and a history student, I loved it.

9 of 9 people found the following review helpful.
Fascinating #5
By Tanstaafl
This is my favorite of the series in overall content. There are no trips to the forest or barn raisings here, just projects that can be built in any workshop. Unlike the others, this is not really a sit down and read through it book. Instead it's a true how-to book.

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Monday 16 January 2012

[E548.Ebook] Ebook Download The Model Occupation: The Channel Islands Under German Rule, 1940-1945, by Madeline Bunting

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The Model Occupation: The Channel Islands Under German Rule, 1940-1945, by Madeline Bunting

When the Germans arrived on the Channel Islands after the defeat of France in the summer of 1940, they and the islanders agreed that it would be a 'Model Occupation'. But as the war dragged on and Britain appeared to abandon the islands to their fate, so features of Nazi occupation already widespread throughout Europe emerged. There were love affairs between island women and German soldiers, betrayals and black marketeering, individual acts of resistance, feats of courage and endurance. Every islander was faced with uncomfortable choices: where did patriotism end and self-preservation begin? What moral obligation did they have to the thousands of emaciated and ill-treated slave labourers the Nazi's brought among them to build an impregnable ring of defences around the islands?

  • Sales Rank: #776931 in eBooks
  • Published on: 2014-07-24
  • Released on: 2014-07-24
  • Format: Kindle eBook

Review
“Much the best book so far to appear on the German occupation of the Channel Islands.” -- Times Literary Supplement

From the Back Cover
“Much the best book so far to appear on the German occupation of the Channel Islands.” -- Times Literary Supplement

About the Author
Madeleine Bunting was born in North Yorkshire. After studying history at Corpus Christi College, Cambridge, she won a Knox postgraduate fellowship to study and teach history at Harvard University. She worked for an independent television production company joining the Guardian as a reporter in 1989. She became the newspaper's religious affairs correspondent in 1995.

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21 of 21 people found the following review helpful.
Captives and Captors at War
By Michelle B. Braverman
The five-year occupation of the Channel Islands by the Nazis during WWII (1940-1945) was "swept under the carpet" both during the war by the (mainland) British authorities and afterwards by the British and the Islanders themselves who were never sure what to make of their islands' behavior. The author has done a very good job putting together information that could not have been easy to uncover as well as interviewing islanders, Germans and former slave laborers (mostly Russian). The Channel Islands are a cluster of semi-independent islands, each with her own island government, situated about 20 miles off the coast of England and 7-12 miles from the coast of France. Guernsey, Jersey and Alderney are the best known. Despite their proximity to France, the islands have always thought of themselves as English and were almost totally dependent on England for food, fuel and manufactured goods. They were also a holiday destination for the English but otherwise not of strategic value in the war (so thought the British). For Hitler, however, occupying the Channel Islands was his first (and only as it turns out) foothold in England. This was to be a "model occupation", and for various reasons, as the book well explains, it was. Basically the British armed forces abandoned the islands when it became clear Hitler was approaching and left the islanders to cope on their own. They coped as best they could with dwindling supplies and under punishing restrictions (no cars, no radios), but after five years there was sometimes a fine line between captives and captor, the latter pretty much abandoned as Hitler started pulling back and ultimately losing the war. The camps and slave laborers were another side as well, and the author has done, I feel, a very good job presenting all the evidence she could find and coerce from both the locals and former slave laborers. This book was written in 1995. No doubt less of the individuals Madeline Bunting interviewed would be alive today. The Model Occupation is a fascinating study in war, politics and human nature.
My interest in the subject was sparked by a British drama series called "Island at War". I think the two together make for a very good insight.
[...]

3 of 3 people found the following review helpful.
Very interesting, little-known WWII history
By cuzzzzz
I found this book very interesting. I've read many books on WWII, but this is a little known, but very worth knowing, aspect of the war. Shows human nature at it's best and worst.

0 of 0 people found the following review helpful.
Well researched and presented
By Simon Herbert
A most unusual and well-researched work that is entirely "readable". I learned a great deal, and Bunting challenges several previously-held notions about how the German authorities treated workers. The subject matter of the occupation is treated with respect. A welcome addition to my occupation library.

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Sunday 15 January 2012

[K783.Ebook] Ebook Download Frankenstein (Second Edition) (Norton Critical Editions), by Mary Shelley

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Frankenstein (Second Edition)  (Norton Critical Editions), by Mary Shelley

The best-selling student edition on the market, now available in a Second Edition.

Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work.

This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition.

Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.”

“Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf.

A Chronology and Selected Bibliography are also included.

  • Sales Rank: #6299 in Books
  • Brand: Brand: W. W. Norton Company
  • Published on: 2012-02-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.20" w x 5.20" l, 1.13 pounds
  • Binding: Paperback
  • 544 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg�nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

From School Library Journal
Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.
Michele Snyder, Chappaqua Public Library, NY
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 8^-12. Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. Hazel Rochman

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184 of 195 people found the following review helpful.
Choose the 1818 version
By Jim Dollar
Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.

215 of 237 people found the following review helpful.
A moving, disturbing, depressing, but also touching tale
By Ian Fowler
Much like Bram Stoker's "Dracula", Mary Shelley's "Frankenstein" is a story we all think we know, but really don't. Very few films have consciously attempted to follow the novel too closely (which shouldn't detract from the excellent James Whale/Boris Karloff film, or its masterpiece-sequel, "The Bride of Frankenstein). Thus, everything popular culture "knows" about "Frankenstein" does not originate from literature, but from films. This is a shame, in a way, because the novel itself is, if not the progenitor, an early vessel of so many archetypes found science fiction and horror.

The basic plot remained intact when transferred to other media. Swiss medical student Victor Frankenstein discovers the secret of life (which he never reveals, lest someone repeat the mistake). He then puts together a body, essentially a man, from various corpses. He then becomes horrified by the creature he has built, and abandons. The creature, suffering a great deal of neglect and abuse, still manages to get a thorough education, and learns of his lineage. After murdering Victor's younger brother, and framing the family maid, the creature tells his (admittedly) sad tale to his "father", and then demands a mate. Victor, in a panic, agrees, then thinks better of it at the last moment, destroying the new bride. In retaliation, the creature murders all of Victor's loved ones (including his wife), and leads Victor on a merry chase across the world.

Most probably know that Mary Shelley wrote this book in response to a challenge issued by Lord Byron, during a vacation at Lake Geneva. (Along with this story came John Polidori's "The Vampyre", the first English vampire novel.) Most probably also know that Shelley went on to write other works of imaginative gothic fiction. Still, her modern reputation rests with this book.

As stated, numerous archetypes (themes, plot lines, characters) are present here. The basic fear of what evil technology may bring along with the good is a central theme, as is the warning against playing God. So is the implicit admonition to be responsible in all things, be it during innovation or being a parent. The creature is, for all intents and purposes, an android-everyone from Gort to C-3PO owe their existence to the Frankenstein monster. And the monster that slays all but one protagonist is a staple of horror, be it traditional monster movies, like "Alien", or more realistic slasher movies like "Halloween".

But, as I noted at the beginning of this review, certain of these elements have been lost in most interpretations. The creature is actually intelligent, and well-spoken, quite different from the inarticulate grunts or slow, half-sentences of the movies. Further, while the films have made lightening a staple of the creatures creation, Shelley never really explains the process. Finally, one of the staples of the films is the explanation for the creatures "evil" nature. Often, the problem lies with the brain used, which almost invariably is a criminal brain, or is damaged before implantation. In the book, the creature is really a child that's horribly neglected, but with the strength and intelligence to strike back: id without superego, and without restraints.

Thus, "Frankenstein" will be a new experience for readers who know the source exclusively from the films. Unlike "Dracula", there aren't any moments where a reader might look up and suddenly realize how quiet it is in the house, or how dark it's gotten outside. In that regard, "Frankenstein" has not aged particularly well. Throughout, however, it is a moving, disturbing, depressing, but also a touching and beautiful tale. Those qualities have withstood the test of time. While it is not always a rollicking adventure, it is a rewarding read.

93 of 103 people found the following review helpful.
Kindle edition is the 1831 edition, not 1818
By MsE0
I got the free Kindle edition from the link on the page for the Norton Critical Edition of the 1818 text. Mary Shelley made many significant edits to the book for the 1831 edition. I assumed it was the same edition because the link was from the same page. I didn't realize it was different until I went to write my assigned essay and went online to search for page numbers for the passages I wanted to quote. Many of the quotes I wanted to use don't even appear in the original version. This is a very important distinction, and I wish it had been labeled correctly so I would not have had to waste so much time looking for online versions of the correct text in order to replace the quotes I could not use from the later version. This edition is fine if you just want to read the book, but if you're reading it for school, you have more than likely been assigned the 1818 version, which is very different. The Kindle edition is also lacking in any kind of Kindle formatting, making it a hassle to find locations in the book.

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Thursday 12 January 2012

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  • Sales Rank: #4350294 in Books
  • Published on: 2002-08-28
  • Number of items: 2
  • Binding: Hardcover

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