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A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered.
Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.
- Sales Rank: #86003 in Books
- Brand: Brand: Bloomsbury Academic
- Published on: 2012-04-26
- Released on: 2012-04-26
- Original language: English
- Number of items: 1
- Dimensions: 9.03" h x 1.07" w x 6.05" l, 1.55 pounds
- Binding: Paperback
- 456 pages
- Used Book in Good Condition
Review
The timing couldn't be better for a knowledgeable survey of documentary films that acknowledges (and appreciates) the work of Robert Flaherty but continues through the era of cable TV, digital video, Michael Moore and Born Into Brothels. This thoughtful appraisal will be useful to students as well as moviegoers who want to learn more about the history of nonfiction filmmaking. Leonard Maltin
This book expands Ellis's The Documentary Idea (1989), a classic history of English-language social documentary film and video. Here Ellis (Northwestern Univ.) partners with Betsy McLane (past president, University Film and Video Association) to bring the subject of documentary film forward into the global sphere of digital image-capture technologies, satellite and Internet distribution and exhibition, and the "frenzy of TV reality shows." Like the earlier edition, the book is homage to documentary pioneer John Grierson, who coined the term "documentary" in 1926, and largely limits itself to the English-language "social documentary," i.e., "the mainline of the documentary tradition Grierson set in motion." Within those parameters, each of the 18 chapters offers a concise and useful historical overview of a particular time period, topic, or filmmaker and adds a list of relevant film titles and publications. Soviet propaganda and European avant-garde experimentation are discussed, though less comprehensively. As a carefully considered and reader-friendly volume, this book takes its place alongside Erik Barnouw's classic Documentary (1974). Specialists and advanced scholars may prefer Michael Renov's The Subject of Documentary (CH, Feb'05, 42-3312), which reconsiders the Griersonian "objective" ideal in the light of the subjective practices of the autobiographical vernacular." Summing Up: Recommended. Lower-/upper-division undergraduates, graduate students, general readers.
(CHOICE)
"It's an excellent introduction for any student wishing to understand the major trends in documentary production in the UK and North America and the major films of various eras...Overall, A New History of Documentary Film is a worthy and ambitious book. The text would be a great resource for a library or for a documentary studies class" —L. Clare Bratten, Journal of Film and Video 60.1, Spring 2008 (L. Clare Bratten)
Documentary (1974)” -Humanities-Performing Arts-Film 2006
"It's an excellent introduction for any student wishing to understand the major trends in documentary production in the UK and North America and the major films of various eras…Overall, A New History of Documentary Film is a worthy and ambitious book. The text would be a great resource for a library or for a documentary studies class" —L. Clare Bratten, Journal of Film and Video 60.1, Spring 2008 (Sanford Lakoff)
About the Author
Betsy A. McLane is the Project Director of "The American Documentary Showcase" a presentation of the U.S. Department of State Bureau and Education and Cultural Affairs. Director Emerita of the International Documentary Association. She has taught courses on film and documentary at Loyola Marymount University, the University of Vermont, Emerson College and the University of Southern California. She is a Past President of the University Film and Video Association.
Most helpful customer reviews
1 of 1 people found the following review helpful.
An Excellent Modern History of an Important and Influential Style of Film-making.
By Doc Man
Not since Eric Barnouw's landmark survey, "Documentary, a History of the Non-Fiction Film" in 1993 has there been a better, more complete and up-to-date history of documentary film making. Betsy McLane not only covers the evolution of the form and craft from the first images that flickered with movement, she offers valuable information and insights to help readers enrich their understanding and appreciation of important non fiction films and understand changing styles and the issues they raise, as well as adding very human portraits of the passionate and committed men and women who devoted their careers to capturing the quicksilver of the real word and framing it on film. Including a short bibliography and filmography with each chapter, McLane organizes her material in a clear and usable fashion for both educators and the curious general public. As a veteran documentarian, I'm grateful for the invaluable contribution she's made to a greater appreciation of the importance of documentary film making, past, present, and especially the future.
4 of 4 people found the following review helpful.
Great for those who love old film history
By Wendy Silva
This book is very insightful about old film and those who first used it! I love old things and learning the history of how they came about! For those of you who like documentary films, this book is recommended. It is an easy read!!
4 of 4 people found the following review helpful.
Provides a thoughtful context to the evolution of factual film not available elsewhere
By Ernest D. Rose
The author is able to strike a wonderful balance between the contributions of major figures in the field and social trends that shape the impact of this important communications movement.
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